Fiction

Twelve-year-old Eddie Adler is flying with his family from New York City to Los Angeles, a temporary relocation for his mother's television writing job. As he and his brother fight over who gets the window seat, their parents worry how the boys will cope with the move. The 216 passengers aboard their plane include a soldier returning from Afghanistan, an unexpectedly pregnant woman hoping for an engagement ring from her new boyfriend, and a dying tycoon.

An audacious wonder of a novel about baseball and a future America,. The time: Some thirty-five years hence. The place: AutoAmerica--governed by "Aunt Nettie," an iBurrito of AI algorithms and the internet, in a land half under water. The people: Divided into the angelfair "Netted," whose fate it is to have jobs and live on high ground, and the mostly coppertoned "Surplus," whose jobs have been stripped and whose sole duty now is to consume, living in plastic houses that talk and multi-colored houseboats at the water's edge. Neither group is happy.

The sooty streets of Victorian London are crawling with nefarious characters, and Bridie Devine--female detective extraordinaire--must confront her most remarkable puzzle yet: the kidnapping of Christabel Berwick. Winding her way through a mystery as labyrinthine as the city streets, Bridie won't rest until she finds Christabel, even if it means unearthing a past that she'd rather keep buried.

Sometimes life isn't as simple as heroes and villains.
For Zelda, a twenty-one-year-old Viking enthusiast who lives with her older brother, Gert, life is best lived with some basic rules:

1. A smile means "thank you for doing something small that I liked."
2. Fist bumps and dabs = respect.
3. Strange people are not appreciated in her home.
4. Tomatoes must go in the middle of the sandwich and not get the bread wet.
5. Sometimes the most important things don't fit on lists.

North Carolina, 2018: Morgan Christopher's life has been derailed. Taking the fall for a crime she did not commit, she finds herself serving a three-year stint in the North Carolina Women's Correctional Center. Her dream of a career in art is put on hold-until a mysterious visitor makes her an offer that will see her released immediately. Her assignment: restore an old post office mural in a sleepy southern town. Morgan knows nothing about art restoration, but desperate to leave prison, she accepts.

Lot is a soulful account of a Black Latino boy dealing with domestic abuse, and coming to terms with his sexuality. As he realizes he likes boys, the young man navigates a world of bigotry, poverty, and resilience. Set in Houston, this book features many different characters in various circumstances: “a young woman whose affair detonates across an apartment complex, a ragtag baseball team, a group of young hustlers, hurricane survivors, a local drug dealer who takes a Guatemalan teen under his wing, and a reluctant chupacabra."

Jojo is thirteen years old and trying to understand what it means to be a man. He doesn’t lack in fathers to study, chief among them his Black grandfather, Pop. But there are other men who complicate his understanding: his absent White father, Michael, who is being released from prison; his absent White grandfather, Big Joseph, who won’t acknowledge his existence; and the memories of his dead uncle, Given, who died as a teenager.

One of Oprah’s Best Books of the Year and a PEN/Hemingway award winner, Homegoing follows the parallel paths of these sisters and their descendants through eight generations: from the Gold Coast to the plantations of Mississippi, from the American Civil War to Jazz Age Harlem. Yaa Gyasi’s extraordinary novel illuminates slavery’s troubled legacy both for those who were taken and those who stayed—and shows how the memory of captivity has been inscribed on the soul of our nation.

The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Many years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other secretly passes for white, and her white husband knows nothing of her past.

In September 1969, a fumbling, cranky old church deacon known as Sportcoat shuffles into the courtyard of the Cause Houses housing project in south Brooklyn, pulls a .38 from his pocket, and, in front of everybody, shoots the project’s drug dealer at point-blank range.